One curious fact about
George Oppen is that as his own poems drifted toward the dizzying and seemingly
groundless lyricism of his last volume, Primitive
(Black Sparrow Press, 1978), an increasing number of young admirers began
writing critical responses to his work. Far from being disinterested, Oppen's
letters from the 70s reveal his active engagement with such essays,
dissertations, and requests for interviews and other forms of information. Yet
his resistance is just as palpable. He himself wrote very little critical
prose, and seems to have had little interest in making himself clear in that way. When asked about his poems,
he often quoted from his poems.
In response to an essay
written by Rachel Blau DuPlessis (an essay praised, during a visit, Oppen
mentions, by Paul Auster, whose own essay on Reznikoff Oppen had praised), he
remarks in a letter from April 1976:1
... you analyze too much: you set yourself too much of
a program- - - The program prevents you from sinking in ((into the-thing-before-the-words)) (316)2
And another remark, to John Taggart in a letter
from September 1974:
I have of course – as you have too – some reserves about a doctoral thesis which much seem to absorb the poem into itself, into the thesis For the poem is of course not that, the poem is the moving edge [...] (289)
I have of course – as you have too – some reserves about a doctoral thesis which much seem to absorb the poem into itself, into the thesis For the poem is of course not that, the poem is the moving edge [...] (289)
Oppen clearly
respected and encouraged both DuPlessis and Taggart, but his reservations about
such critical discourse, the intellect cast in prose, seem almost to have
encouraged his own move back to all that it is not, the sea, the line of the
horizon, the space between words, phrases, clauses before they harden into
sentences.
image:
from Ironwood 26 (1985)
1 The Selected Letters of George Oppen, ed. Rachel Blau DuPlessis (Duke
UP, 1990), 316.
2 In an earlier letter, to
Alexander Mourelatos, sent sometime before February 14, 1972, Oppen writes:
- - a place
a place at least to begin. But
place in another sense: place without the words, the wordless sphere in the
mind – Or rather the wordless sphere with things including a word or so in it . . . . That I still believe to be,
as they say, Poem: the thing in the
mind before the words to be able to
hold it even against the language - - - (236)
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